Canteo: a lovely, if delicate, Swiss notebook

First my apolo­gies for a late post. It’s already Mon­day on the East Coast and it would­n’t take much more delay for this to become The Mon­day Papers even here in California.

This week’s note­book is the Can­teo, from Swiss mak­er Biel­la. The Swiss have spared no expense in putting togeth­er an ele­gant and full-fea­tured note­book, and for those who keep their note­books at their desks the Can­teo may be ide­al. If you want a note­book that is portable and pock­etable how­ev­er, you should look elsewhere.

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The most obvi­ous dif­fer­ence between the Can­teo and the Mole­sk­ine (or any num­ber of note­books with elas­tic enclo­sures) is that the Can­teo’s enclo­sure keeps the note­book closed diag­o­nal­ly across the upper cor­ner. At first glance it appeared that it might slip off acci­den­tal­ly, but that was nev­er an issue. What did turn out to be prob­lem­at­ic was the way the diag­o­nal enclo­sure pulls on the spine of the notebook.

Basi­cal­ly, the elas­tic enclo­sure con­stant­ly tugs at the enclo­sure’s points of attach­ment. This is a giv­en so long as there is ten­sion on the elas­tic. With most note­books the ten­sion is par­al­lel to the spine, so there is nev­er any issue with it. In the case of a diag­o­nal enclo­sure, there are lat­er­al as well as ver­ti­cal forces tug­ging uneven­ly at the spine of the note­book. The result is a skewed appear­ance that became appar­ent after a cou­ple weeks of use.

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The cov­er of the Can­teo is a love­ly black linen which holds wear well on the sur­face, but the edges fray eas­i­ly, and on my mod­el the edge of the spine came com­plete­ly apart. This may not be an issue for some­one keep­ing a jour­nal in their desk, but for some­one car­ry­ing  the jour­nal in a pock­et or a back­pack, the dura­bil­i­ty of the Can­teo comes into ques­tion and I must rec­om­mend a more durable notebook.

The paper itself proved to be of excel­lent qual­i­ty: strong, durable paper with a smooth tex­ture. I encoun­tered no issues with feath­er­ing or bleedthrough using sev­er­al wet foun­tain pen inks and a vari­ety of nibs. The col­or is an off-white I might call eggshell—not as yel­low as the cream col­or of a Mole­sk­ine’s pages, but enough off from white to alle­vi­ate eyestrain.

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The rul­ing is an over­ly-gen­er­ous 8mm. While it might work for the larg­er A5 note­books, it was dif­fi­cult to get a flow going with only a few words per line on the A6 (105 × 148mm) note­book. I know this is a per­son­al pref­er­ence, but espe­cial­ly on a small note­book, the spac­ing between lines should be more like 5 or 6mm. Those two or three mil­lime­ters make a huge difference.

For extra fea­tures, we have a small diag­o­nal sleeve inside the front cov­er. This is not much more than can fit a spare busi­ness card or two, but nonethe­less more use­ful than includ­ing noth­ing. The tra­di­tion­al fold­er in the back cov­er wins by me.

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One very nice fea­ture (that I’ve reused with oth­er note­books) is the set of met­al page tabs that Can­teo includ­ed. These tabs clip on to a sheet of paper eas­i­ly and snug­ly for easy re-access to par­tic­u­lar pages. This approach is supe­ri­or to the use of a cloth book­mark because it’s so easy to thumb direct­ly to the page. The page tabs are best for often-ref­er­enced pages instead of keep­ing track of the most recent­ly used page. For that, the includ­ed book­mark does the job.

If Can­teo would make their bind­ings and cov­ers more stur­dy so that the note­books could sur­vive the stress­es of the diag­o­nal cov­er clo­sure, they would have a great note­book on their hands.

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