A Brain That Works ?2% of the Time
I’m a bit chagrinned to admit that having been mired in details I failed to see the obvious.
In standard paper sizes (ISO 216) and pen-point sizes (ISO 128 &c), the square root of two is used as the interval between sizes, and between the short and long sides in the case of paper. This makes good sense for the purposes of mechanical enlargement or reduction. If you draw or write something with a #2 pen (0.70mm) on A4 paper (210×297mm) which is then reduced to A5 paper (148×210mm) you may write on the reduction with a #1 pen (0.50mm) while retaining consistency with the marks put down earlier. All these neat proportions, very nice.
It didn’t occur to me until several minutes ago that using a 1:?2 proportion as the interval is just a fancy way of saying even steps between sizes where two steps up means twice the original. The single increments then are «halfway» to double (though of course not literally half-way by linear measure).
It’s an obvious fact that has been staring me in the face for the better part of two decades. The more complicated products of that obvious fact have been evident to me all along. It feels a bit like realizing that words are made up of letters.
Paper sizes actually double
Paper sizes actually double the area for each step, not two steps. (Same with camera f/stops, which are the same ratio.) Did you know that A0 paper is one square meter?
Dad
I did know that A0 is a
I did know that A0 is a square meter, yes.
I’m going to have to think about the camera f/stops, and try to remember the stuff I was taught back in
the Ice Agecollege. My hazy memory was that each integer increment doubled or halved the aperature, not every other integer. It’s been so long since I’ve worked with an incidental light meter that I haven’t really given it much thought lately.And yes, paper area doubles for each step but the length of a given side doubles in two steps. A4 is 297×210mm (1÷(24) m²) and A6 148×105mm (1÷(26) m²)
f/stops are based on the
f/stops are based on the diameter of the aperture divided by the focal length (which is constant,) Since the area of the aperture is ?r² (Pi x r^2 if you don’t do Unicode,) doubling the aperture radius quadruples the area. So going from f/1.4 to f/2 halves the amount of light, f/2 to f/2.8 halves it again. f/4, f/5.6, f/8, f/11, f/16, f/22, f/32, etc. continue the halving There are other f/stops used, particularly with digital cameras, but these are the doublers.
You can verify this quickly without doing any math if you just set your camera on aperture priority and run through the choices, checking what it selects for the matching shutter speed.
It is good we can BOTH be right about the paper ratio!
Dad
Dad