Is Copyright In Danger?

A recent debate/poll in The Econ­o­mist end­ed with a tal­ly of 71% to 29% declar­ing that copy­right laws do more harm than good. While I’m the first to admit that there are seri­ous prob­lems with the exist­ing han­dling of intel­lec­tu­al prop­er­ty, I’m appalled at the seem­ing­ly wide­spread notion that cre­ativ­i­ty should not be legal­ly pro­tect­ed and encouraged.

Last year, only the $700 Bil­lion bailout dis­tract­ed the House of Rep­re­sen­ta­tives from pass­ing the Orphan Works Act, which would have crip­pled copy­right pro­tec­tion for indi­vid­u­als in the Unit­ed States by inval­i­dat­ing the copy­right of any work if the author could not be con­tact­ed. Well, I don’t know Dan Brown’s phone num­ber, so I might as well start pub­lish­ing copies of Angels and Demons now that the movie is out and demand is high. The Orphan Works Act is gone for now, but it died only after pass­ing the Sen­ate. A sim­i­lar bill could be pro­duced at any time.

I do not actu­al­ly sub­scribe to Ayn Rand’s phi­los­o­phy, as reg­u­lar read­ers should know. My guid­ing prin­ci­ple of gov­ern­ment comes from Abra­ham Lin­coln: the role of gov­ern­ment is to do those things which ought be done but which can­not be done or done so well by pri­vate effort. Rand’s the­sis was that the only legit­i­mate role for gov­ern­ment is the defense of the nation and of property.

But she and I are eye to eye on one point: the idea peo­ple are the dri­vers of this world. I give more cred­it than she does to labor, but the idea is the prime mover of human advance­ment. The pyra­mids in Egypt exist because some­one had a vision for their con­struc­tion and made it hap­pen. It could­n’t have hap­pened with­out the thou­sands of slaves that were forced to do the labor, but that in itself says it: giv­en the choice, most of those thou­sands would have rather stayed home. We can be grate­ful that the world has pro­gressed to a point where epic under­tak­ings are (usu­al­ly) done with vol­un­tary labor which shares in the prof­it of such endeav­or, but should not for­get that the exe­cu­tion of a project can­not occur with­out a pri­or spark of cre­ative vision.

One of the tasks of gov­ern­ment (Con­gress, actu­al­ly) enu­mer­at­ed by the Unit­ed States Con­sti­tu­tion is «To pro­mote the Progress of Sci­ence and use­ful Arts, by secur­ing for lim­it­ed Times to Authors and Inven­tors the exclu­sive Right to their respec­tive Writ­ings and Dis­cov­er­ies.» This makes sense. After a cer­tain amount of time it seems coun­ter­pro­duc­tive to per­mit some­one to for­bid oth­ers the use of her or his own ideas — where would we be if we had to pay roy­al­ties to the heirs of the inven­tor of the wheel? — but with­out the exclu­sive rights to an idea it becomes dan­ger­ous to share the fruits of that idea. Pub­lish­ing com­pa­nies could repub­lish the works of authors with no oblig­a­tion to reward those authors. It would actu­al­ly be a lia­bil­i­ty to pay an author to pro­duce a nov­el and be the first to pub­lish it. Hav­ing to pay the author would mean a high­er price, and sub­se­quent edi­tions could there­fore be print­ed and sold for a low­er price by every oth­er publisher.

The def­i­n­i­tion of «a lim­it­ed time» has changed since the Con­sti­tu­tion was rat­i­fied in 1788. Copy­right has gone from a max­i­mum of 28 years to a max­i­mum of 56 years to fifty years past the death of the author. Any work pri­or to 1998 auto­mat­i­cal­ly had copy­right extend­ed an addi­tion­al 20 years. How does copy­right pro­tec­tion extend­ed this far pro­mote the progress of sci­ence and use­ful arts? It does­n’t. In fact, such exces­sive lim­its to exclu­sive rights prob­a­bly hin­der progress, since the heirs of suc­cess­ful inven­tors and authors have lit­tle moti­va­tion pro­vid­ed by soci­ety to fol­low in the foot­steps of their progenitors.

The right to con­trol our own ideas is fun­da­men­tal­ly an inalien­able right: it can­not be tak­en away by force. All one needs do to keep an idea exclu­sive is not tell any­one about it. The legal con­cept of intel­lec­tu­al prop­er­ty encour­ages us to tell oth­ers about our ideas by guar­an­tee­ing us the same exclu­siv­i­ty even after we show our ideas to the world. As an inalien­able right, it should not be trans­fer­able or assign­a­ble. One should be able to say their work should be free to all, but not to say that the rights of author­ship fall upon their children.

Prac­ti­cal­ly of course, copy­right thus lim­it­ed would still ben­e­fit heirs of authors. The term of a copy­right should not ter­mi­nate on the author’s death. We should not pro­vide incen­tive to kill an author sim­ply to get an impor­tant idea into the pub­lic domain. But the moral rights should not be trans­fer­able. 56 years is a gen­er­ous peri­od of time for an author to retain exclu­sive control.

Nonethe­less, to say that on bal­ance the need for reform nul­li­fies the ben­e­fit of the pro­tec­tion of an author’s exclu­sive right is to say that the poten­tial works of chil­dren of inven­tors is more impor­tant than the actu­al work of inven­tors. This is unless you con­sid­er any copy­right pro­tec­tion to be harm­ful because it can sti­fle (for a lim­it­ed time) deriv­a­tive works. To that I say you’ve got to have some­thing in the first place in order to make some­thing else from it.

The peo­ple who would dis­man­tle copy­right and patent law entire­ly, are the peo­ple that looked like evil car­i­ca­tures in Ayn Rand’s books. They are the ones who assign no val­ue to the cre­ative spark and rec­og­nize only the effort of exe­cut­ing a planned idea. This is disin­gen­u­ous con­sid­er­ing that they want to use the ideas that oth­ers hatched — oth­er­wise why both­er to elim­i­nate copyright?

A more recent adjunct to the open-source or free soft­ware move­ment is a favorite of those who want to elim­i­nate copy­right: it is the Cre­ative Com­mons license. It is actu­al­ly a set of licens­es that has been thought­ful­ly put togeth­er to declare an author’s explic­it per­mis­sion to waive some or all rights to his or her own work. Even the most restric­tive of these licens­es per­mits dis­tri­b­u­tion of full and com­plete ver­sions of an author’s work, pro­vid­ed that attri­bu­tion is given.

This is all well and good, and I have great respect for the Cre­ative Com­mons license as well as the orga­ni­za­tion that devel­ops (and con­tin­ues to devel­op) it. The fact that the peo­ple that want to do away with copy­right love Cre­ative Com­mons says much more about those peo­ple than it does about Cre­ative Com­mons. The Cre­ative Com­mons licens­es are appro­pri­ate for a wide vari­ety of work, includ­ing some with com­mer­cial resale val­ue. I’ve con­sid­ered attach­ing one of the Cre­ative Com­mons licens­es to Mono­chro­mat­ic Out­look (none of the licens­es appear to pro­vide explic­it per­mis­sion for reusing frag­ments only, prob­a­bly because that is usu­al­ly per­mis­si­ble under the «fair use» pro­vi­sion in copy­right law.) But let’s be clear about this: the Cre­ative Com­mons license would not be pos­si­ble if it weren’t for the exis­tence of copy­right law. One can only waive rights and enforce rights if one has those rights to begin with. Scrap copy­right law and a Cre­ative Com­mons license would be mean­ing­less, because any­one could do any­thing with… anything.

Per­haps it is only my van­i­ty that gives me the idea that my work is worth con­trol­ling and lever­ag­ing for my own ben­e­fit, but I am cer­tain that oth­er peo­ple’s work is worth pre­serv­ing and encour­ag­ing. If I have over­val­ued my own ideas, let me dis­cov­er that the hard way. Don’t tell me that ideas intrin­si­cal­ly have no val­ue, because that’s a great way to con­vince me not to share even the exis­tence of an idea with you.

Please join me in sup­port­ing rea­son­able intel­lec­tu­al prop­er­ty law reform, not the whole­sale abo­li­tion of intel­lec­tu­al prop­er­ty laws.

Leave a Reply