Spring Open Studios Is Upon Us

Mark your cal­en­dars and get ready to come on down to Open Stu­dios at the Art Explo­sion. The essen­tial details follow:

Pre­view Thurs­day April 23rd 5pm – 8pm
Open­ing Recep­tion Fri­day April 24th 7 – 11pm
Open Stu­dios Sat & Sun April 25th & 26th 12 – 5pm

Between the three Art Explo­sion loca­tions there are over 100 artists open­ing their doors so that you can come and see how we work, … Read the rest

If I don’t stop I’ll go blind

In a pre­vi­ous post I explained the basics of Lux­og­ra­phy, my dig­i­tal print­mak­ing process. As Spring Open Stu­dios (and the dead­line to get into the cat­a­log for Fall Open Stu­dios) looms ever clos­er, I’m work­ing extra time to fin­ish a few pieces, and that means build­ing new pat­terns to use for screening.

My lat­est vari­a­tion on the theme is to break up the lines into hatched rows, which is how I hatch in pen and ink. The goal con­tin­ues to … Read the rest

Studio Progress

Visconti PencilsIt’s been a while since I pro­vid­ed a peek at what’s going on at my draw­ing table. There are a cou­ple rea­sons for that: first that I’ve been work­ing more on the lux­o­graph­ic prints, which requires a lot of work on the files at home. Sec­ond, and on an hour-by-hour basis prob­a­bly the big­ger rea­son, I’ve been hav­ing to pick up the income slack with more hours of Web­site devel­op­ment. For­tu­nate­ly the hours are there for me when I need … Read the rest

qui custodiet ipsos custodes?

This week­end I saw the new Watch­men movie. Twice. I treat­ed myself to a view­ing at the Orin­da The­ater Fri­day night (open­ing night with a dozen oth­er peo­ple in the the­ater) and then was invit­ed to go along with a group of friends Sat­ur­day night — I went most­ly for the fel­low­ship and socia­bil­i­ty, but also I was curi­ous whether I’d pick up on any details I’d missed the first time.

It’s a movie that I wish, if the tech­nol­o­gy had … Read the rest

Happy Birthday to the Rail Splitter!

There are more anniver­saries today than I orig­i­nal­ly real­ized. Thanks to @spacehobo for remind­ing me. Although we offi­cial­ly cel­e­brate «Pres­i­den­t’s Day» on this com­ing Mon­day, once upon a time cal­en­dars cel­e­brat­ed Wash­ing­ton’s and Lin­col­n’s birth­days sep­a­rate­ly and on the cor­rect days. Today, quite aus­pi­cious­ly, is the 200th anniver­sary of Abra­ham Lin­col­n’s birth.

This means it’s also the 100th anniver­sary of the Lin­coln Cent, which was designed and placed into cir­cu­la­tion to hon­or Lin­col­n’s 100th birth­day. I have a … Read the rest

Early Stage Edson

Some of you have seen this fin­ished piece, but as I’m open­ing up my in-progress scans for pub­lic con­sump­tion, this is one that grabs me for a cou­ple of dif­fer­ent rea­sons. First, I’m very proud that the first lay­er of hatch­ing was all arcs to sug­gest the shape of the pen. Hav­ing that down first helped me move for­ward with a sense of dimen­sion that I don’t always have when I’m putting lay­er over lay­er of cross­ing lines down on paper.… Read the rest

Falcon Stage Four or It Was A Dark and Stormy Nib

Falcon 4At this stage, I’m not nec­es­sar­i­ly done with the nib, but I’ve pro­gressed far enough to be real­ly cau­tious about doing any more that I already have. It’s time for me to turn my atten­tions to oth­er areas. The end of the sec­tion is going to take a lot of ink, and I’m start­ing to have to get real seri­ous about final­iz­ing my com­po­si­tion. I have the basics in mind, but I’m weigh­ing out some deci­sions and solu­tions that are … Read the rest

Chapter Three, Custom 742 Falcon Drawing

Falcon 3Jump­ing ahead sev­er­al lay­ers, now there’s more tone and the appear­ance of con­tour. The nib of the pen still needs more con­trast to make it look shiny. By now, I’ve stopped using the 0.13mm pen exclu­sive­ly and have begun mak­ing some lay­ers with the 0.18mm pen.

There are two issues with con­tin­u­ing to use the fin­er pen. First is the fact that the more ink goes down on the page, the less blank space … Read the rest